Cold War Kids began in the fall of '04 with jangly guitar, handclaps, and a Harmony amp in a storage room atop a restaurant in Fullerton, CA. For the first sessions between four friends, having instruments was not as important as heavy stomping, chanting and laughter. Clanging on heat pipes, thumping on plywood walls. Hollering into tape recorders. Slipping and swaying into alleyways and juke joints. Dreaming the American dust bowl and British maritime. On the roof the sound and feeling was cultivated and burned, built and hallowed out, painted and stripped to the primer.
Using songs of Bob Dylan, Billie Holiday, and the Velvet Underground as a road map, Cold War Kids listen to their tiny inner voice to manipulate and structure their style with honesty. In 2005/2006 Cold War Kids self-released 3 six song EP's (Mulberry Street,Up in Rags, and With our Wallets Full.) And toured relentlessly, sometimes with compadres Tapes ‘n Tapes and Two Gallants. It was these sweltering live shows and limited edition CDs that created the rapid word-of-mouth, giving birth to a burgeoning fan base, sold-out shows in cities across the country, glowing reviews in magazines like Rolling Stone & Blender. Cold War Kids chose Downtown Records, the young Manhattan-based home to such talents as Gnarls Barkley and Eagles of Death Metal. A deal signed, Cold War Kids regrouped to the studio and recorded their impressive and striking debut robbers & cowards in a matter of weeks. The result captures all of the raw power, smoldering energy and loose-limbed blues that make Cold War Kids live shows so invigorating.
Lyrically, Cold War Kids write stories about human experience in orchards, hotel rooms, laundromats & churches, seaports & school halls; characters that are funny and serious at the same time, like J.D. Salinger or "Peanuts." There is the man poaching bills from the collection plate during Sunday masses, and a little prodigy whose mother is poking him to admire the Grand Canyon out the station wagon window; these are everyday wretched people trying their damnedest to live well while teetering between despair, complacency and joy. Tracks like “Hang Me Up To Dry” and “Hospital Beds” are fast fan favorites, full of menacing basslines, atmopsheric piano and urgent vocals. There’s a pretense of the ramshackle about these songs, but only in the way that Dylan and The Band managed the same. Listen closely; there’s a rich intricacy beneath that raggle taggle delivery.
Much like Blue Note Artists of the '50's, the music of Cold War Kids walks hand in hand with it's graphic design. Bass player Matt Maust is responsible for creating the visual aesthetic by constantly documenting the band, friends, strangers, and situations both on tour and at home. The design facet is implemented through gallery shows, artistic web design, and supplement design books coinciding with music releases. Ultimately, Cold War Kids’ intent is to present themselves not just as four musicians, but as an expanding artistic community in which everyone is invited to take part.
Cold War Kids are: Matt Aveiro (drums) , Matt Maust (bass), Jonnie Russell (guitar), and Nathan Willett (vocals/piano)
In September 2008 Cold War Kids released Loyalty To Loyalty, the album splashed onto The Billboard Top 200 chart at #21 producing a Modern Rock top 40 hit in "Something Is Not Right With Me".
Listen to Cold War Kids Here
|Mulberry Street EP||2005||Independent|
|With Our Wallets Full EP||2006||Independent|
|Up In Rags EP||2006||Independent|
|We Used To Vacation EP||2006||Independent|
|Robbers & Cowards||2006||Downtown Records|
|Live From SoHo EP||2007||Downtown Records|
|Benefit at the District||2007||Downtown Records|
|Live From The Paradiso||2008||Downtown Records|
|The MySpace Transmissions (digital EP)||2008||Downtown Records|
|Loyalty to Loyalty||2008||Downtown Records|
|Live At Fingerprints EP||2008||Downtown Records|
|Live From The Paradiso EP||2008||Downtown Records|
|Behave Yourself EP||2010||Downtown Records|
|Mine Is Yours||2011||Interscope Records|